WELCOME TO 2022

Man. It’s been almost 15 months since my last blog entry. A LOT has happened in that amount of time. Let’s take a look, by way of a helpful, bullet-pointed list:

  • September 2021: I started a new job as the Creative Director for video and events production company. It’s a great fit, and I get to do lots of illustration, design, and art direction (I’ll touch on some of those projects in a future post).
  • December 2021: I got engaged!
  • April 2022: I got married! My little family of three pretty much doubled, because now I have a wonderful wife and step-son, and two dogs. Oh, and we all moved in together into a house.
  • August 2022: The three kids all started at a new school. Thankfully, it’s right next door to us, so mornings and afternoons are way easier and less stressful than they were in the single-dad years.

Now, that’s just a short overview of the last year (my wife and I also went on a couple great trips too), and doesn’t cover all the art I’ve put my hand too in that time. For that, I’ll need to break the updates up into catagories: illustration, sculpture, and animation. Let’s start with…

THE ILLUSTRATION UPDATE

In February of 2022, I took part in the Love for Kettle art auction again. My piece this time was, “Why Not Both?”, an acrylic painting on 9×12″ wooden board. Since I like to work 3d elements into the Bad Apples series, I decided to try something new and create the condiments out of Sculpey clay. I was delighted to find out that this painting was bought by the owner of my previous entry, “Hold the Pickles” – which has got me thinking of how I can create a bookend piece that would give them a nice trilogy in February 2023.

This summer, I announced a big project: Year of the Ring. This was designed as a way to get me back into regular work after the marriage and move, so that I could do character designs and sculpts based on Lord of the Rings without having to exert too much energy into creating my own IP. However, because I am what I am, I way overbooked and overscheduled myself with ideas, which immediately got blown up by getting a much more creatively demanding day job. However, I’m very happy with the pieces I’ve created so far, and will continue to tinker away until I’ve at least illustrated the Fellowship…. except Gollum and an orc or too would be really fun to draw….

Here’s the illustration I made for our wedding invitation! We were going for a very specific, muted ink and watercolor style, which I’m sure I overworked a bit. This was a traditional-digital hybrid project, starting with a rough pencil sketch on Bristol paper, then scanning and cleaning up the proportions in Photoshop, then printing that onto 140lb watercolor paper and inking with brushpen, before finishing things up by scanning that back into Photoshop and painting digitally.

Since my wife, Katelin, is wise, she is pushing me to finish up hanger-on projects before starting new ones. First on the list was the Headless Horseboy, whom I had drawn, inked, and put down the base colors in watercolor in October 2020. When I didn’t get him done in time for Halloween (probably because I was a little busy making something else), the painting got put in the closet and kind of forgotten for two years. Thankfully, it survived the madness of the home move, and I pushed through and got it completed for this year’s Halloween; even releasing a print for sale. I’m excited to see which little monster walks down the sidewalk in 2023!

And then there’s this big boy. Starting as an answer to the SVS prompt of “Fairy Tale Traveler,” I went into this as mainly an excuse to discover and dial-in a digital inking process that would perfectly match my traditional brushpen work. A) I happily nailed it and B) I stumbled on an IP idea that is taking up a lot of my headspace (remember how I specifically did NOT want that to happen for at least a year?), and I’m itching to flesh it out. What I know right now is that this is Quentin, who is on a quest in the Land of the Dead to find out why his family has vanished to the Land of the Living. However the story pans out, I’d love to create this as a graphic novel, or a heavily illustrated novel, a la “The Invention of Hugo Cabret.”

Well, that wraps things up for the Illustration Update. My goal is to publish a blog every other Friday (and if I can do that for a year, adding a newsletter to the mix), so by the time I write the next one, I should be pretty far into the drawing of a pirate mutating into a were-raccoon. It’ll all make sense then. Trust me.

Creating Community

Long time no post. After my last writing, stress just kinda built due to the virus lockdown, and it knocked me sideways. Isolating and staying at home, turns out, is EXTREMELY not good for young kids. Really, it’s not good for anyone, but especially 7 and 5 year olds. So some shifts in classwork and work-work scheduling needed to be figured out, and my brother and sister-in-law stepped up to help the three of us get some space and time apart. All that added up to me basically losing any steam to draw or paint in early April. The good news is that hitting that snag really underscored a big mental/emotional/spiritual need for me:

I NEED ARTISTIC COMMUNITY.

This has always been a problem for me. I’ve always been the art guy. I was drawing before I could talk, I was always the best artist every step of the way from kindergarten through high school, and even in college all my roommates were computer science or software engineering majors. Basically, I’ve always been doing this alone.

And that sucks. It’s exhausting. And it’s lonely. And that sure wasn’t going to get any easier in a global pandemic, because there was no way to find an art community (outside of the SVS forum that I take part in). So, the only option was to take the bull by the horns and create one. I knew that my buddy Ben from work had been getting into oil painting over the last year, so I pitched the idea of creating an art group with the goal of encouraging, critiquing, and holding each other accountable to keep working on our projects. He was in, and we then invited another friend from work, Jason, to join in. He had never painted before, and wasn’t sure of his artistic prospects, but was looking for a new hobby to pass some of this downtime. Each time our group meets, we’re all tasked with sharing updates on what we’ve worked on, what we’re working on now/next, and what skill we’re focusing on improving with our current projects.

Since then, we’ve met twice, and plan to continue Zoom meeting once a week or two to keep each other moving forward. In our first meeting, we chose that we would all paint a portrait of Ben’s bulldog, Winston. I’ve chosen to work in oils for the first time since… 2006?… and got a rough sketch and color palette ready to share at the next meeting. Unfortunately, that meeting wasn’t able to go down, because work got a little out of hand at the last minute for Ben and Jason. Well, I didn’t want to start on the oil project until I’d gotten feedback on the rough sketch, so I decided to not sit around (I’d been doing way too much of that already), and threw myself into a quick ink, watercolor, and gouache warm-up illustration. I call it “Bulldogs Suck at Poker:”

I really love how it turned out, and it already has my mind spinning about thinking up different things that animals surely suck at.

But back to the real painting. Here’s that rough sketch, and the color palette I’ll be sticking too:

Since this is going to be a long term project (because oil takes forever to dry), I’ll keep you posted as updates are available. My favorite take away from the new art group (aside from hanging out virtually with my friends and not talking about work for a change) is that it’s snapped me out of the slog and has made me super productive again. Evidence being (aside from the extra painting I already made just to surprise the group)…

PROJECT UPDATES

  • During my short term art depression, I fell behind on Inktober 52. I think a big part of this was because for the month of April, colors were required for the prompts, so I knew it would take me more time than I had the energy for. Once I told myself to grow up, I decided to use the color as a reason to play around with Copic and Spectrum Noir markers more, and that’s proven to be really fun. Here are the drawings I’ve made for the series in the last month – I particularly love the squid:
  • #6fanarts is a thing on Instagram, so I decided to jump on that, instead of the Batman comic page I was planning to make, mainly because I new that this project would push me closer to the direction I want to go. Here’s how it works: you ask your followers for which characters they’d like you to do fanart of in your style, and you pick which six you’ll make. I’m using the project to force myself to get better at painting in photoshop underneath my ink work, and I’m starting to develop a process that I’m comfortable with that’s not far from my ink and watercolor style, that will work well for graphic novels and comic strips. Here’s what I’ve gotten so far:
  • Follow me on Instagram to be able to see new illustrations for Inktober 52 and 6 Fanarts (as well as updates on everything else I’m working on) as soon as they come out.
  • This month, I have room and forsight in my schedule, so I’ll be taking part in SVS’s May illustration contest, “Isolation.” After some really basic ideas, I’ve settled on showing a chimpanzee/inmate relaxing in his enclosure/cell at the zoo/prison. This isn’t a political statement, but more of a riff on how I would illustrate The Far Side. Here’s the thumbnail of the concept I’m plaing with, in two orientations. I’m pretty sure I’ll do this as an ink and watercolor, but part of me wants to just jump in and use it as way to practice with gouache. But I also kinda want to win, so….